Sunday, 24 July 2016

Madaari - Hindi Film - Review


If you have not watched and want to watch Hindi film #Madaari, avoid reading this post.
Madaari is a metaphor. There is no real madaari. The metaphor is used for a #Damaru player who makes #Jamoora dance at its beats. The metaphor can also be read as snake charmer as the protagonist somehow charms to bring out the real poisonous nexus between construction company, engineers and politicians who collect funds for political parties through corrupt means.
(Metaphor reminds of one dialogue in film : "Accountability and Responsibility? Hey Man, it is metaphor. Do not take it literally. Problem is because people take metaphors literally" 😂😂😂)
At the same time, the protagonist is service provider / repairer for WiFi networks. This job these days is no less than that of Madaari 😀😀.
Statutory warning: Stop reading if you want to watch the film.
Well, now it is your choice to spoil the game. I am no longer spoiler.

The film has two endings.

One is more realistic and hence throat chocking. Such throat chocking endings in literature leads towards restlessness, anxiety and angst, rather than giving outlet to repressed desires. Such literatures are not for masses. As only Lord Shiv can drink poison to be Nilkanth,  only rational and mentally strong in society can sustain mental stability after reading / watching such realistic literature.
The other ending is romantic happy-endings walla. No throat chocking but a relief that poetic justice is done. All is well that ends well. Such literature makes masses relieved from repression and thus gives feel-good effect. Haash! The social filth (corruption) is cleansed! But we know that it is mere illusion that problem is solved. As the mind do not differentiate between the real and imaginary, the imaginary gives us an impression of reality. No throat chocking moment.  No anxiety. No restlessness. No angst. No revolution.  No #Change. Is this the secret that most of our literature ended with make-believe poetic justice? The mass / sheoples shall be opiumated in the feeling of trance. If they are woken up, they may be problematic to power structures. Has literature played the role of ideological state apparatus to subjugate the subjects?

Shh . . . Desh so raha hai!

One more spoiler:

True to its genre of suspense thriller, the film do not have thrilling moments of #Kahani or dramatic appeal of #GabbarIsBack or common man feeling of #AWednesday.