Showing posts with label USA. Show all posts
Showing posts with label USA. Show all posts

Sunday 22 September 2019

The Unintelligent Americans

Books on the intelligence of the Americans

  1. The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes Our Future - Mark Bauerlein

This shocking, surprisingly entertaining romp into the intellectual nether regions of today's underthirty set reveals the disturbing and, ultimately, incontrovertible truth: cyberculture is turning us into a society of know-nothings.

The Dumbest Generation is a dire report on the intellectual life of young adults and a timely warning of its impact on American democracy and culture.
 
For decades, concern has been brewing about the dumbed-down popular culture available to young people and the impact it has on their futures. But at the dawn of the digital age, many thought they saw an answer: the internet, email, blogs, and interactive and hyper-realistic video games promised to yield a generation of sharper, more aware, and intellectually sophisticated children. The terms “information superhighway” and “knowledge economy” entered the lexicon, and we assumed that teens would use their knowledge and understanding of technology to set themselves apart as the vanguards of this new digital era.
 
That was the promise. But the enlightenment didn’t happen. The technology that was supposed to make young adults more aware, diversify their tastes, and improve their verbal skills has had the opposite effect. According to recent reports from the National Endowment for the Arts, most young people in the United States do not read literature, visit museums, or vote. They cannot explain basic scientific methods, recount basic American history, name their local political representatives, or locate Iraq or Israel on a map. The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes Our Future is a startling examination of the intellectual life of young adults and a timely warning of its impact on American culture and democracy.
 
Over the last few decades, how we view adolescence itself has changed, growing from a pitstop on the road to adulthood to its own space in society, wholly separate from adult life. This change in adolescent culture has gone hand in hand with an insidious infantilization of our culture at large; as adolescents continue to disengage from the adult world, they have built their own, acquiring more spending money, steering classrooms and culture towards their own needs and interests, and now using the technology once promoted as the greatest hope for their futures to indulge in diversions, from MySpace to multiplayer video games, 24/7.
 
Can a nation continue to enjoy political and economic predominance if its citizens refuse to grow up? Drawing upon exhaustive research, personal anecdotes, and historical and social analysis, The Dumbest Generation presents a portrait of the young American mind at this critical juncture, and lays out a compelling vision of how we might address its deficiencies. The Dumbest Generation pulls no punches as it reveals the true cost of the digital age—and our last chance to fix it.

2. The Death of Expertise: The Campaign Against Established Knowledge and Why it Matters - Tom Nicholas

In The Death of Expertise, Nichols condemns what he describes as the many forces trying to undermine the authority of experts in the United States. He blames higher education, the internet, and the explosion of media options for the anti-expertise and anti-intellectual sentiment which he sees as being on the rise. While conceding that experts do sometimes fail, he says the best answer to this is the self-correcting presence of other experts to recognize and rectify systemic failures.

3. 

Idiot America: How Stupidity Became a Virtue in the Land of the Free - Charles P. Pierce

The three Great Premises of Idiot America:
· Any theory is valid if it sells books, soaks up ratings, or otherwise moves units
· Anything can be true if someone says it loudly enough
· Fact is that which enough people believe. Truth is determined by how fervently they believe it
 
With his trademark wit and insight, veteran journalist Charles Pierce delivers a gut-wrenching, side-splitting lament about the glorification of ignorance in the United States.
 
Pierce asks how a country founded on intellectual curiosity has somehow deteriorated into a nation of simpletons more apt to vote for an American Idol contestant than a presidential candidate. But his thunderous denunciation is also a secret call to action, as he hopes that somehow, being intelligent will stop being a stigma, and that pinheads will once again be pitied, not celebrated. Erudite and razor-sharp, Idiot America is at once an invigorating history lesson, a cutting cultural critique, and a bullish appeal to our smarter selves.

4. The Age of American Unreason - Susan Jacoby

A cultural history of the last forty years, The Age of American Unreason focuses on the convergence of social forces—usually treated as separate entities—that has created a perfect storm of anti-rationalism. These include the upsurge of religious fundamentalism, with more political power today than ever before; the failure of public education to create an informed citizenry; and the triumph of video over print culture. Sparing neither the right nor the left, Jacoby asserts that Americans today have embraced a universe of “junk thought” that makes almost no effort to separate fact from opinion.


Sunday 11 October 2015

Zero Dark Thirty: Event, Film, Technology, Illusion (Maya)

Zero Dark Thirty - a film

The historical event, the literary expression, the illusion and freedom from time and space




Zero Dark Thirty (2012) is a film about  "the story of history's greatest manhunt for the world's most dangerous man". Yes, it is none other than Osama Bin Laden. The film dramatizes the decade-long manhunt for al Qaeda leader Osama bin Laden after the September 11, 2001 terrorist attacks in the United States. This search eventually leads to the discovery of his compound in Pakistan, and the military raid on it that resulted in his death on May 2, 2011.
Watch the film dubbed in Hindi - 

Zero Dark Thirty received wide critical acclaim, and appeared on 95 critics' top ten lists of 2012. It was nominated in five categories at the 85th Academy Awards, including Best PictureBest Actress for Chastain, Best Original Screenplay, and Best Film Editing, and won the award for Best Sound Editing. The film also earned Golden Globe Award nominations for Best Motion Picture – Drama,Best Director, and Best Screenplay, with Chastain winning the award for Best Actress in a Motion Picture – Drama. (Wikipedia).

The film is not about the brave and courageous attempt of Navy Seals in killing Osama Bin Laden. The film is about CIA agents who worked very hard in Afghanistan, Pakistan and various tough locations, at the cost of their lives, to track the trace of hidden Laden. On the morning of 3rd May 2012, we read in newspapers and watched on news channels about the tough tasks done by Navy Seals. But the real success of such operations lies not in field victory, it lies in feeds collected, organised and passed on to higher offices by secret service agents. If the best of the brains are employed for this task, the task for the field operations become child's play. That's what the film proves.

However convincing the film documents in fictional narration the events of the decade adter 9/11, the conspiracy theorists are not going to believe the story of the murder of Osama Bin Laden. With America's past records being mired in with doubts by conspiracy theorist, it is not easy to believe that some good morning, Osama Bin Laden is killed in an operation 'without casualties', except for a helicopter.

The question about the reality of this Geronimo Operation looms large. After all no body has seen the body of Laden. It is reported that it was buried in the sea.

Surprisingly enough, the film approved with edits by CIA, also remains silent and ambiguous about the real identity of Osama. In the film, except for Maya, CIA agent, no body is sure about the identity of the person in that hideout in Abbottabad. Maya, too, is in doubt. She do not have any proof to prove her claim. In fact, there were no proofs to prove that the person in that compound house was Osama Bin Laden. Several attempts to know the identity of the people failed. Even after the encounter, when the women in the house are asked about the old man, they said some other name. The photos are taken. The body is flown to US base n Jalalabad. Maya, 'visually confirms' (Yes, these are the words in the film) that the body is that of Osama. How can she? She has not seen him. No body has seen Laden for more than decade. So there is no certainty, in the film, about the identity of Osama. There are no blood samples and DNA things shown in the film. Why? It was fictional narration. Why this is not depicted? Why is the film silent on this issue of ascertaining identity of an old man killed and disposed off somewhere (film does not show that either) as Osama Bin Lade? Why the film ends with mere assumption that the man must be Osama? Why it is not proved scientifically? 

Well, there will be theories and histories but no facts or truths. Nietzche has rightly remarked that there are no facts, only interpretations. Julian Barnes in The Sense of an Ending wrote about History (citing Patrick Lagrange) that - 'History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation'. The 9/11, death of an old man, operation by Navy Seals are historical events. Very recent ones. We know that it happened, in a way, before our eyes. Quite consciously, we have experienced them. They are in our memory. And yet, the events are full of inadequate documents. Because there are no valid truths to connect Al Queda with 9/11 and certainty of the man killed in Abbottabad , they are recorded in memory as imperfect facts / truths. 

The one who are victorious, becomes the writer / narrator of the history. One who believes in this definitions are the defeated on and thus history is also self-delusion of the defeated. History and literature are deeply connected. Northrop Frye observed that Literature stands on the support of Philosophy and History. The film is a literary expression. Thus, an imaginary narration of the historical event. As time passes on the line of difference between history and its imaginary narration starts getting blurred and seems to be one and the same. Therefore, it becomes necessary to ponder upon the historical events which are near in time and consciousness and its narration in literature. This film (Zero Dark Thirty) is classic example of certainty produced at the point where inadequacies of documentation and imperfections of memory meet. Without any evidence, we are at the mercy of 'visual confirmation' of Maya. Maya is a Sanskrit word for “magic” or “illusion”) a fundamental concept in Hindu philosophy, notably in the Advaita (Nondualist) school of Vedanta. Maya originally denoted the magic power with which a god can make human beings believe in what turns out to be an illusion.


Well, the film is worth watching.Watch it for Maya. Her unflinching doggedness in pursuit of her goal. Her belief in what she believes. . . and later on she is the only one to confirm what she believes. That's where the symbolic significance of her name 'Maya'- an illusion becomes crucial to understand the film.

Brief note on Hollywood and Bollywood

Comparison of any sort is odious, but it is quite obvious. One can't escape comparison. It seems to be hard-wired in human psyche.  One thing is for sure that Bollywood (Hindi films) are very loud, melodramatic (which is pardonable looking at the way life is exuberantly lived) and 'unrealistic' (which is not pardonable). While we see films with similar themes, we find quite opposite treatment in Hollywood and Bollywood. It is not an issue. The films come from different culture and hence they ought to be different. But if the difference is breaching law of probability and necessity and dives deep into the ocean of unrealism, one's attention is drawn to it.
'The Reluctant Fundamentalist' - a Meera Nair film based on Mohsin Hamid's novel (same name) and Kabir Khan's 'New York' are based on similar theme. It is post 9/11 and muslims in USA. Apart from the loudness and melodramatic depiction, what gives us unrealistic and quite opposite images is the way FBI treats the alleged convicts. Needless to say, Meera Nair seems to be more realistic.
Even in this film (Zero Dark Thirty) and films with similar themes (Man hunt in foreign land) like Ek Tha Tiger, Holiday, Baby, Phantom etc, similar sort of unrealism is found. The agents (FBI or CIA or RAW) are picked up for their mental abilities and not physical. The Marines, Navy Seals, Military Jawans are picked up because of their physical abilities and not mental. So, when it comes to man hunt, the agent will apply his mental abilities but will never (and should never) jump in with open AK 47 or grenade bombs and start fighting with the one to be hunted. Maya (in Zero Dark Thiry) or any male agents do not do so. They feed in the information and seek help from the others, who are best for that task. Let us hope, Bollywood will be more realistic is portrayal of characters and situations.

I watch this film on YouTube. I rented the film for Rs. 50 for 48 hours. It was quite unique

experience. Though I watched on mobile phone, I had an option to screen share on Smart TV and have better cinematic experience. I rather opted for watching it while travelling in car from Ahmedabad to Bhavnagar. It is amazing to see how technology is changing the way we entertain ourselves. Technology of 21st century is giving us freedom - the freedom from time and space. There is no need to wait for the film to start (time) or to go to cinema theatre or near TV (space). Where-ever, when-ever, how-ever, we want to entertain ourselves, we can. Yes, we can!
How illusory is this freedom from time and space offered so easily by technology?